The CinePacks Podcast

Directing Metal Music Videos for Bad Omens, Spiritbox & Wage War: Orie McGinness | Ep. 53

Orie McGinness Season 1 Episode 53

Orie McGinness is a visionary director who has made a significant impact in the metal music video genre. Renowned for his ability to create massive environments and stunning visuals through his self-taught VFX skills, Orie has directed iconic videos for bands such as Bad Omens, Spirit Box, and Wage War. By leveraging the power of Unreal Engine, he brings ambitious concepts to life, often using just a simple green screen. In this episode of the CinePacks Podcast, hosts Tyler Casey and Andy Chen dive into Orie's creative process, exploring the innovative techniques and tricks he employs to produce groundbreaking music videos. Whether you're an aspiring filmmaker or a fan of heavy metal, this episode is packed with valuable insights and inspiration from one of the industry's leading directors.
Follow Orie - www.instagram.com/oriemcginness

Chapters:
[00:00:00] Introduction to Orie McGinness and his work with Space Studios
[00:01:00] Orie’s start in graphic design and transition to filming music videos
[00:01:43] First camera experience and the magic lantern hack
[00:02:57] Shooting the first music video and early DIY techniques
[00:04:21] The evolution of Orie’s filming style and introduction to freelensing
[00:06:11] Transition to professional music video production and working with record labels
[00:09:17] Incorporating advanced VFX and the learning curve
[00:10:42] Practical vs. VFX: Finding the balance
[00:14:16] Experiences with LED walls vs. green screens
[00:16:49] Getting started with Unreal Engine and tips for beginners
[00:20:13] First major Unreal Engine music video project
[00:25:16] Breaking into the industry and working with big clients like Bad Omens and Spirit Box
[00:30:25] Behind the scenes of notable music videos and technical challenges
[00:42:00] Future projects and ambitions in short films and YouTube content
[00:50:13] Thoughts on AI in filmmaking and its ethical implications

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